These are all penultimate (or, in a few cases, earlier) versions; for the final versions, see the journals or books in which they’re published.
“Taste and Acquaintance,” (with Jon Robson), The Journal of Aesthetics and Art Criticsm 73 (2), 2015: 127-139.
“Solving the Puzzle of Aesthetic Testimony,” in Knowing Art: Essays in Aesthetics and Epistemology, ed. Dominic Lopes and Matthew Kieran. Dordrecht: Springer, 2007: 109-124.
“Aesthetic Testimony: What Can We Learn From Others About Beauty and Art?” Philosophy and Phenomenological Research, 69 (1), 2004: 65-91.
“Defining Comics,” in The Routledge Companion to Comics, ed. Frank Bramlett, Roy T Cook and Aaron Meskin. Routldge, 2016: 221-229.
“Comics, Prints, and Multiplicity,” (with Roy Cook), The Journal of Aesthetics and Art Criticism 73(1), 2015: 57-67.
“Comics,” in The Routledge Companion to Aesthetics, third edition, ed. Berys Gaut and Dominic Lopes. Routledge, 2013: 575-584.
“The Ontology of Comics,” in The Art of Comics: A Philosophical Approach, ed. Aaron Meskin and Roy T Cook. Malden, MA: Wiley-Blackwell, 2012: 31-46.
“The Philosophy of Comics,” Philosophy Compass 6 (12), 2011: 854-864.
“Comics as Literature?” British Journal of Aesthetics 49(3), 2009: 219-239.
“Defining Comics?” The Journal of Aesthetics and Art Criticism, 65, 2007: 369-379. [A shortened version appears in Aesthetics: A Reader in Philosophy of the Arts, third edition, ed. David Goldblatt and Lee Brown. Upper Saddle River, NJ: Pearson Education, 2011.]
“Errors in ‘The History of an Error’” (with Simon Fokt), British Journal of Aesthetics 56(2): 179-185.
“From Defining Art to Defining the Individual Arts: The Role of Theory in the Philosophies of Arts,” in New Waves in Aesthetics, ed. Kathleen Stock and Katherine Thomson-Jones. Palgrave-Macmillan, 2008: 125-149.
“The Cluster Account of Art Reconsidered,” British Journal of Aesthetics, 47, 2007: 388-400.
“Experimental Philosophy as Public Philosophy,” (with Shen-yi Liao), forthcoming in Advances in Experimental Philosophy of Aesthetics, ed. Sébastian Réhault & Florian Cova. Bloomsbury.
“Aesthetic Adjectives Lack Uniform Behavior,” (with Shen-yi Liao and Louise McNally), Inquiry 59(6): 618-631.
“Aesthetic Adjectives: Experimental Semantics and Context-Sensitivity,” (with Shen-yi Liao), Philosophy and Phenomenological Research. doi: 10.1111/phpr.12217
“Mere Exposure to Bad Art,” (with Mark Phelan, Margaret Moore and Matthew Kieran), British Journal of Aesthetics 53(2), 2013: 1-25.
“Morality and Aesthetics of Food,” (with Shen-yi Liao) forthcoming in the Oxford Handbook of Food Ethics, ed. Anne Barnhill, Mark Budolfson, Tyler Doggett. Oxford.
“The Art of Food,” The Philosopher’s Magazine 61, 2013: 81-86.
“Art and Imagination,” (with Nick Wiltsher), in The Routledge Handbook of the Philosophy of Imagination, ed. Amy Kind. Routledge, 2016: pp. 179-191.
“Imagination Unblocked,” (with Jonathan Weinberg) in The Aesthetic Mind: Philosophy and Psychology, ed. Elisabeth Schellekens and Peter Goldie. Oxford: Oxford University Press, 2011: pp. 239-253.
“Puzzling Over the Imagination: Philosophical Problems, Architectural Solutions,” (with Jonathan Weinberg), in The Architecture of the Imagination: New Essays on Pretence, Possibility, and Fiction, ed. Shaun Nichols. Oxford: Oxford University Press, 2006: 175-202.
“Imagine That,” (with Jonathan Weinberg), in Contemporary Debates in Aesthetics and the Philosophy of Art, ed. Matthew Kieran. New York: Blackwell, 2005: 222-235.
“Emotions, Fiction, and Cognitive Architecture,” (with Jonathan Weinberg), British Journal of Aesthetics, 43 (1), 2003: 18-34.
“Counterfactuals, Probabilities, and Information: Response to Critics,” (with Jonathan Cohen), Australasian Journal of Philosophy, 86, 2008: 635-642.
“An Objective Counterfactual Theory of Information,” (with Jonathan Cohen), Australasian Journal of Philosophy, 84 (3), 2006: 333-352.
“Scrutinizing the Art of Theater,” Journal of Aesthetic Education 43(3), 2009: 51-66.
“Productions, Performances, and Their Evaluations,” in Dance, Education, and Philosophy, ed. Graham McFee. Oxford: Meyer & Meyer, 1999: 45-61.
“Photography and Its Epistemic Values: Reply to Cavedon-Taylor,” (with Jonathan Cohen), The Journal of Aesthetics and Art Criticism 67(2), 2009: 235-237.
“Photographs as Evidence,” (with Jonathan Cohen), in Photography and Philosophy: New Essays on the Pencil of Nature, ed. Scott Walden. New York: Wiley-Blackwell, 2008: 70-90.
“On the Epistemic Value of Photographs,” (with Jonathan Cohen), The Journal of Aesthetics and Art Criticism, 62 (2), 2004: 197-210.
“Videogames and Film,” (with Jon Robson), forthcoming in The Palgrave Handbook for the Philosophy of Film and Motion Pictures, ed. Noël Carroll, Laura Teresa Di Summa-Knoop, and Shawn Loht.
“Still Self-Involved: A Reply to Patridge,” (with Jon Robson), forthcoming in The Journal of Aesthetics and Art Criticism.
“Videogames as Self-Involving Interactive Fictions,” (with Jon Robson), The Journal of Aesthetics and Art Criticism 74(2), 2016: 165-177.
“Videogames and the First Person,” (with Jon Robson) in Mimesis: Metaphysics, Cognition, Pragmatics, ed. Gregory Currie, Petr Kotako and Martin Pokorny. London: College Publications, 2012: 435-464.
“Fiction and Fictional Worlds in Videogames,” (with Jon Robson) in The Philosophy of Computer Games, ed. John Richard Sageng, Tarjei Mandt Larsen & Hallvard Fossheim. Springer Press, 2012: pp. 201-217.
“Videogames and the Moving Image,” (with Jon Robson), Revue Internationale de Philosophie 64(4), 2010: 547-563.
“Cognitive Science and Aesthetics” (with Jon Robson, Anna Ichino, Kris Goffin, and Annelies Monseré), WIREs Cognitive Science, e1445. doi: 10.1002/wcs.1445.
“Popular Fiction,” in The Routledge Companion to Philosophy of Literature, ed. Noel Carroll and John Gibson. Routledge, 2016: 117-126.
“Authorship,” in The Routledge Companion to Philosophy and Film, ed. Paisley Livingston and Carl Plantinga. Routledge, 2008: 12-27.
“Style,” in The Routledge Companion to Aesthetics, 2nd edition, ed. Berys Gaut and Dominic Lopes. Routledge, 2005: 489-500. Revised edition published in The Routledge Companion to Aesthetics, 3rd edition, 2013.
The Routledge Companion to Comics (co-edited with an introduction by Frank Bramlett, Roy T Cook and Aaron Meskin). Routledge, 2016.
Aesthetics and The Sciences of Mind (co-edited with an introduction by Gregory Currie, Matthew Kieran, Aaron Meskin and Jon Robson). Oxford University Press, 2014.
Philosophical Aesthetics and the Sciences of Art (co-edited with an introduction by Gregory Currie, Matthew Kieran, Aaron Meskin and Margaret Moore). Cambridge University Press, 2014.
The Art of Comics: A Philosophical Approach (co-edited with an introduction by Aaron Meskin and Roy T Cook). Malden, MA: Wiley-Blackwell, 2012. [Spanish translation forthcoming in 2016.]
Aesthetics: A Comprehensive Anthology, (co-edited with Steven M. Cahn), Wiley-Blackwell 2007. Second edition forthcoming in 2015.
Current Moral and Social Issues, (co-edited with Z. Batori, J. Engel, O. Gwirceman, M. Montminy, K. Richman, S. Schneider, and J. Tigner), Kendall/Hunt Inc., 1996.
Review of The Philosophy of Art, by Stephen Davies, Philosophical Books, 49 (2008): 188-190.
Review of Philosophy of Film and Motion Pictures: An Anthology, ed. Noël Carroll and Jinhee Choi, ASA Newsletter, 2007.
Review of Aesthetic Concepts: Essays after Sibley, ed. Emily Brady and Jerrold Levinson, British Journal of Aesthetics, 44 (1), 2004: 90-93.
Review of The Aesthetics of Comics by David Carrier, British Journal of Aesthetics, 41 (4), 2001: 446-449.
Review of Theories of Art Today, ed. Noël Carroll, Journal of Aesthetics and Art Criticism, 59 (2), 2001: 219-221.
Review of Bodies of the Text: Dance as Theory, Literature as Dance, ed. Ellen Goellner and Jacqueline Murphy, Journal of Aesthetics and Art Criticism, 57 (1), 1999: 96.
“Art and Ethics Reunited: A Review of Aesthetics and Ethics, ed. Jerrold Levinson,” Film-Philosophy Electronic Salon, 1998.
Other Publications (introductions, notes, popular pieces, etc.)
“Psychology and Philosophical Aesthetics,” Oculus, 2014.
“Aesthetic Value,” (with Levno Plato) Encyclopedia of Quality of Life and Well-Being Research, ed. AC Michalos. Dordrecht, Springer, 2014: 76-78.
“Teaching and Learning Guide for ‘The Philosophy of Comics‘,” Philosophy Compass 7(5) 2012: 361-364.
“‘Why Don’t You Go Read a Book?’ Watchmen as Literature,” in Watchmen and Philosophy: A Rorschach Test, ed. William Irwin and Mark D. White. Oxford: Wiley-Blackwell, 2008.
“Introduction to Contemporary Aesthetics,” (with Susan Feagin) in Aesthetics: A Comprehensive Anthology, ed. Steven M. Cahn and Aaron Meskin. Oxford, Blackwell, 2007: 391-395.
“Morris Weitz,” in Dictionary of Modern American Philosophers, ed. John Shook. Thoemmes Press, 2005.